Even before visitors were allowed inside the Benton Museum of Art at 6V电影网 during the pandemic, the art on display could be viewed from the safety of one鈥檚 home. Digital gallery walks and live panel discussions accompanied the remote viewing sessions.
Three exhibitions were co-curated by students, faculty and staff. Curating exhibitions provided students an opportunity to work closely with museum staff and learn about the many collections of works at the museum. These are their exhibitions:
In Our Care: Institutional History in Material Form
On view from December 15, 2020 through May 29, 2021.
Curators: Sam Chan 鈥22; Noor Tamari 鈥22; Kali Tindell-Griffin 鈥22 and the Sarah Rempel and Herbert S. Rempel 鈥23 Director Victoria Sancho Lobis; and Claire Nettleton, academic curator.
In Our Care was presented on the occasion of the Benton Museum of Art鈥檚 inaugural season. It explores the evolution of 6V电影网鈥檚 art collection and the individuals who contributed to it.
The exhibition is rooted in history, featuring notable collectors, artists and works, including Native American basketry and textiles, Mexican paintings, European paintings and prints, and works in various media produced in Southern California in the late 20th century.
鈥淭he first work that I proposed to exhibit was Mirella Bentivoglio鈥檚 Riaprire, which translates to Open Up Again in English,鈥 says Chan. 鈥淭his piece caught my attention because I thought the way she incorporated Michelangelo鈥檚 sculpture 笔颈别迟脿&苍产蝉辫;was such a powerful way of tying the legacy of the Renaissance in her hometown Italy into her modern critique of the lack of compassion and obsession with material gain in the present.鈥
Chan adds that going into this exhibition, she didn鈥檛 know much about the history of the arts at 6V电影网. 鈥淭he research that I鈥檝e done reminds me that this history isn鈥檛 only marked by the Benton, or the Prometheus mural, or the James Turrell Skyspace鈥攊t runs much deeper than that. Everything we see now started in a small room with a humble collection. The Benton wouldn鈥檛 be the museum it is now without the active work and collaboration among our staff, students, neighboring communities and artists.
鈥淚 think In Our Care just perfectly encapsulates the amount of care and love that we have all put into maintaining and enhancing our role as a catalyst for the exchange of critical dialogues and a space that not only gives visibility but [also] sustainability to emerging artists in L.A.鈥
The exhibition was developed with the support of the Remote Alternative Independent Summer Experience (RAISE) program and the Judith A. Cion 鈥65 Fund in Endowment for Student-Curated Exhibitions.
Art, Object, Specimen
On view from January 4 through October 3, 2021.
Curators: Sam Chan 鈥22; D鈥橫aia Curry 鈥19, post-baccalaureate fellow for research and programs; Noor Tamari 鈥22; and Kali Tindell-Griffin 鈥22, with the mentorship of Victoria Sancho Lobis, Sarah Rempel and Herbert S. Rempel 鈥23 Director; and Claire Nettleton, academic curator.
Art, Object, Specimen explores the assumption behind museum work: Objects are transformed by how and where they are displayed. The exhibition features many different types of objects, all drawn from collections of the Benton Museum of Art and 6V电影网. It includes paintings, photographs, geologic specimens, basketry, beadwork, snuff bottles and even a cribbage board. It offers interpretive texts that address the fluidity of the categories named in the exhibition title.
鈥淪am, Kali and Noor curated this groundbreaking exhibition with D鈥橫aia Curry 鈥19, a post-baccalaureate fellow for research and program who researched 6V电影网鈥檚 geological collection,鈥 says Nettleton.
鈥淭he students researched particular works that defy categorization and obfuscate disciplinary boundaries. They discussed their findings with the group, and they made the final selections collectively.鈥
The exhibition was developed with the support of the Remote Alternative Independent Summer Experience (RAISE) program and the Judith A. Cion 鈥65 Fund in Endowment for Student-Curated Exhibitions.
CrossBorder Photography: Images of the U.S. and Mexico from the Permanent Collection
On view from October 20, 2020 through October 3, 2021
Curators: Grace Sartin 鈥21, Madeleine Mount-Cors 鈥22, and Maelvi Nu帽ez 鈥22 with the mentorship of Rosal铆a Romero, Chau Mellon Postdoctoral Fellow in the Department of Art History.
CrossBorder Photography explores how the border鈥攕ymbolic, cultural and personal鈥攈as been contained, framed and represented through the medium of photography from the 1940s to the present. The exhibition brings together artworks that interrogate and make visual the processes of bordering, including the state practices of militarization, surveillance and deportation that reinforce the physical barrier.
It was inspired by Professor Rosalia Romero鈥檚 Border Art seminar from spring 2020. 鈥淒rawing from the concepts we covered in the seminar, the exhibition examines the ways the medium of photography has been used by artists to represent the U.S./Mexico border and experiences relating to the border, such as border crossing,鈥 says Madeleine Mount-Cors 鈥22.
鈥淐urating this exhibition gave me a chance to not only more deeply research the issues at the border, but also a chance to contemplate the realities of U.S./Mexico migrants that will continue to be ongoing unless institutional changes are made,鈥 says Mount-Cors. 鈥淥verall, I am grateful for the collaboration and introspection that came with curating this exhibition and I am excited to see it in person this fall before its time at the Benton comes to an end in October.鈥
The exhibition draws from the permanent collection of the Benton Museum of Art and showcases the work of photographers Gordon C. Abbott, Christina Fernandez, Nathan Lerner, Danny Lyon, Don Normark and Richard Ross.
The exhibition was developed with the support of the Remote Alternative Independent Summer Experience (RAISE) program and the Judith A. Cion 鈥65 Fund in Endowment for Student-Curated Exhibitions.